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CATEGORIES: SPECIAL OCCASION;TRAVEL;APPOINTMENT
STATUS:NEEDS ACTION
DTSTART:20110213T000000
DTEND:20110213T000000
SUMMARY:Concert Season: Schubert, Britten, Hindemith, Elgar
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:Event Name: Concert Season: Schubert, Britten, Hindemith, Elgar=0D=0AEvent Url: http://www.artsboston.org/event/detail/440868023=0D=0AEvent Date Begin: 2011-02-13=0D=0AEvent Date End: 2011-02-13=0D=0A=0D=0AIn the second movement of Schubert's Fantasy, D. 934, the violin and piano become the lovers in the poem he quoted from his Lied, Sei mir gegrüsst (I greet you!), shedding tears and embracing one another. Composed while a student at the Royal College of Music in London, Britten's Phantasy for Oboe and String Trio has been characterized as an “arch,” as two sonatas superimposed on each other. Using earlier forms and styles, Hindemith's Die Serenaden reflects his interest in the emerging artistic movement known as “New Objectivity” and replaces emotion with logic, organization and formal restraint. The Piano Quintet in A minor is Elgar's longest and perhaps best chamber masterpiece, showing a sense of urgency and renewed imagination in his later years.=0D=0A==0D=0A=Concert 3:=0D=0A=Schubert: Fantasy for Violin and Piano in C major, D. 934, “Sei mir gegrüsst” =0D=0A=Britten: Phantasy for Oboe and String Trio, Opus 2 =0D=0A=Hindemith: Die Serenaden, Little Cantata on Romantic Texts for Soprano, Oboe, Viola and Cello, Opus 35=0D=0A=Elgar: Piano Quintet in A minor, Opus 84=0D=0A==0D=0A=Lisa Saffer, soprano / Keisuke Wakao, oboe =0D=0A=Ida Levin, Yura Lee, violins / Roger Tapping, viola=0D=0A=Michael Reynolds, cello / Randall Hodgkinson, piano=0D=0A=0D=0AStart time:7:30 p.m.
CLASS:PRIVATE
PRIORITY:3
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