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Matthew Hall - Midday Organ Recital

Presented by Harvard Art Museums at Adolphus Busch Hall

November 18, 2010

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Matthew Hall, Organist, Cambridge, MA

Recitals are performed on Harvard's famous 1958 D. A. Flentrop organ. Presented by the Harvard Organ Society in collaboration with the Harvard Art Museums and the Memorial Church.

Free admission. Open to the public.

Audience members are invited to lunch quietly while listening.

For more information, please contact Sanja Cvjeticanin at 617-495-8286 or sanja_cvjeticanin@harvard.edu.

• At-a-
  Glance

  • Venue Info

    Adolphus Busch Hall

    29 Kirkland Street
    Cambridge, MA 02138

    Full map and directions

  • Admission Info

    Tickets:

    Free.

    Info Phone: 617-495-8286

    Email

  • Dates & Times

    Dates:
    November 18, 2010

    Times:
    

    12:15pm-12:45pm

  • Accessibility Info

    

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    • Event Name: Matthew Hall - Midday Organ Recital
      "Sensitivity and Subtlety"
      Review posted by: John from Boston, MA, Mar 15, 2011
      

      Hall showed wonderful understanding of the subtlety and expressive potential of the French style. Melodies were ornamented fluidly and gracefully; lines arched with elan. Colorful registrations --... Expand

      Hall showed wonderful understanding of the subtlety and expressive potential of the French style. Melodies were ornamented fluidly and gracefully; lines arched with elan. Colorful registrations -- we are not used to hearing the reedy and nasal sounds of the Flentrop used so consistently -- brought the organ and this music to life. Collapse

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• Member
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  • Member Reviews

    Add review/comment

    • Event Name: Matthew Hall - Midday Organ Recital
      "Sensitivity and Subtlety"
      Review posted by: John from Boston, MA, Mar 15, 2011
      

      Hall showed wonderful understanding of the subtlety and expressive potential of the French style. Melodies were ornamented fluidly and gracefully; lines arched with elan. Colorful registrations --... Expand

      Hall showed wonderful understanding of the subtlety and expressive potential of the French style. Melodies were ornamented fluidly and gracefully; lines arched with elan. Colorful registrations -- we are not used to hearing the reedy and nasal sounds of the Flentrop used so consistently -- brought the organ and this music to life. Collapse

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  Reviews

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