At one level a vivid documentary of American road fever and the obsessive world of street racing, Two-Lane Blacktop is also a sustained meditation on film acting as one of the most dangerous games, a form of high-stakes gambling where everything, including the film itself, is on the table. The film's fable-like story of a spontaneous cross-country race between two cars thus gives way to an extended and explicit showdown between two distinct modes of performance – with the musician non-actors James Taylor and Dennis Wilson in their stripped-down Chevy pitted against the ultimate actor's actor, Warren Oates, driving the decked-out orange GTO that gives him his name. At once a visually brilliant art film and an intoxicating road movie, Two-Lane Blacktop is often cited as the last film of the Sixties, a lonely farewell to the free spirit innocence and rebellious naivety of the ultimately defeated counterculture.