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    Paradise - DIRECTOR IN PERSON

    Presented by at Harvard Film Archive

    February 13, 2012


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    Paradise - DIRECTOR IN PERSON

    Paradise has been compared to a notebook, a diary and a sketchbook. It is a collection of discrete moments, unscripted and unstaged, shot digitally over several years, none lasting longer than four minutes. There is no voiceover or onscreen text to link or explain the fragments. These moments have little in common other than that they are all instants of beauty or happiness. While there is footage from nine different countries, the final...

    Paradise has been compared to a notebook, a diary and a sketchbook. It is a collection of discrete moments, unscripted and unstaged, shot digitally over several years, none lasting longer than four minutes. There is no voiceover or onscreen text to link or explain the fragments. These moments have little in common other than that they are all instants of beauty or happiness. While there is footage from nine different countries, the final section is centered on the US. There is little direct reference to 9/11 and the wars that followed, but those events – as Almeryeda puts it – “cast a shadow over the film.” If there is perhaps the faintest strain of melancholy in the film, it is because the film can’t help but point out that, unlike Paradise, these moments don’t last.


    Harvard Film Archive

    Harvard Film Archive Cinematheque
    24 Quincy Street
    Cambridge, MA 02138

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    Admission Info:

    $12 - Special Event Ticket Price for all patrons


    General Day and Time Info:

    7pm


    phone: 617.495.4700 or 496.3211


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