Organization

The Boston New Music Intiative
The Boston New Music Initiative is an organization committed to the composition and performance of new music on the local, national, and international fronts. Founded in September of 2009, the Initiative's vision is to establish a network of composers, performers, conductors, directors, and champions of new music in order to generate new music concerts, compositions, collaborations, and commissions. Membership is open to all at no cost or obligation. The organization aims to advance the careers of its members in the field of new music as a networking and programming resource.
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At-a-
Glance-
Contact Info
The Boston New Music Intiative
PO Box 380285
Cambridge, MA 02238Phone: 617-744-9607 | Email | Official Website
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Current Events
There are no current events available for this organization at this time.
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Upcoming Events
There are no upcoming events available for this organization at this time.
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Current &
Upcoming Events-
Current Events
There are no current events available for this organization at this time.
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Upcoming Events
There are no upcoming events available for this organization at this time.
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Past
Events-
Past Events
02/25/12 Are You Still There? music of voyage and remembrance
Edward M. Pickman Concert Hall02/04/12 CALLS FOR SCORES: A Detailed Discussion of the Submission and Evaluation Process
Boston Public Library02/26/11 New Music for Strings
First Church in Boston04/15/10 The Boston New Music Initiative Inaugural Concert
St. John's Church, JP02/04/10 The Boston New Music Initiative Inaugural Concert
St. John's Church, JP
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Media
Reviews-
Media Reviews
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Event Name:
Article: Running Start, Surprising Moments in New Works
The Boston Music Intelligencer - Oct 02, 2011
By Stefanie LubkowskiBoston New Music Initiative’s concert on October 1 at Northeastern University showcased quality of performers and accomplishments of composers. Ian Dicke’s Assembly Line gave a running start with driven jazz and popular rhythms. I would have preferre… Expand
Boston New Music Initiative’s concert on October 1 at Northeastern University showcased quality of performers and accomplishments of composers. Ian Dicke’s Assembly Line gave a running start with driven jazz and popular rhythms. I would have preferred foregrounded mysterious aspects of Kirsten Volness’s Sleeping in the Forest, though violinist Lilit Hartunian delivered captivating, luxurious tone. Percussionist Jeff Stern performed Kyong Mee Choi’s Sublimation with impressive timbral detail; nevertheless, the piece lacked cohesion. Clifton Callender’s Metamorphoses reiterated another combination of acoustic and electronic sounds. Pretty, lyrical elements of Garrett Byrnes Villanelle dominated, without much surprise. Michael Gandolfi’s As Above provided a satisfying sense of direction and some surprising moments. Kimberly Soby milked Chris Arrell’s Argot for its beauty and fascination, even during sections with sparse, agitated orchestration. Collapse
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Member
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Member Reviews
There are currently no member reviews for this organization.
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