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    Organization

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    The Boston New Music Intiative


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    The Boston New Music Initiative is an organization committed to the composition and performance of new music on the local, national, and international fronts. Founded in September of 2009, the Initiative's vision is to establish a network of composers, performers, conductors, directors, and champions of new music in order to generate new music concerts, compositions, collaborations, and commissions. Membership is open to all at no cost or obligation. The organization aims to advance the careers of its members in the field of new music as a networking and programming resource.

     

    • At-a-
      Glance

      • Contact Info

        The Boston New Music Intiative

        PO Box 380285
        Cambridge, MA 02238

        Phone: 617-744-9607   |   Email   |   Official Website

        • Current Events

          There are no current events available for this organization at this time.

        • Upcoming Events

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    • Current &
      Upcoming Events

      • Current Events

        There are no current events available for this organization at this time.

      • Upcoming Events

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    • Past
      Events

    • Media
      Reviews

      • Media Reviews
        • Event Name:
          Article: Running Start, Surprising Moments in New Works
          The Boston Music Intelligencer - Oct 02, 2011
          By Stefanie Lubkowski

          Boston New Music Initiative’s concert on October 1 at Northeastern University showcased quality of performers and accomplishments of composers. Ian Dicke’s Assembly Line gave a running start with driven jazz and popular rhythms. I would have preferre… Expand

          Boston New Music Initiative’s concert on October 1 at Northeastern University showcased quality of performers and accomplishments of composers. Ian Dicke’s Assembly Line gave a running start with driven jazz and popular rhythms. I would have preferred foregrounded mysterious aspects of Kirsten Volness’s Sleeping in the Forest, though violinist Lilit Hartunian delivered captivating, luxurious tone. Percussionist Jeff Stern performed Kyong Mee Choi’s Sublimation with impressive timbral detail; nevertheless, the piece lacked cohesion. Clifton Callender’s Metamorphoses reiterated another combination of acoustic and electronic sounds. Pretty, lyrical elements of Garrett Byrnes Villanelle dominated, without much surprise. Michael Gandolfi’s As Above provided a satisfying sense of direction and some surprising moments. Kimberly Soby milked Chris Arrell’s Argot for its beauty and fascination, even during sections with sparse, agitated orchestration. Collapse

    • Member
      Reviews

      • Member Reviews

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